"Elfriede Stegemeyer / elde steeg. Photographs 1932 - 1938 from the Gerd Sander Collection", continues the series of exhibitions focused on the collection of the galerist and collector, Gerd Sander. Elfriede Stegemeyer (1908 - 1988) is one of many female representatives of the photographic avant-garde active during the Weimar Republic. The fact that her name is less well known today than that of other photographers of the style Neues Sehen (New Photography), even wit…

On the occasion of the 100th anniversary of BAUHAUS, Gallery Julian Sander presents a selection of photographs by the artist Elfriede Stegemeyer. Under the title "Schule des Sehens" ("School of Seeing"), Stegemeyer's photographs will be accompanied by works of some of her companions, who will give insight into her life and work. Elfriede Stegemeyer's interest in everyday objects, their formative and creative potential, as well as material structures and connections,…

"We may say we see the world with entirely different eyes." – László Moholy-Nagy This different view on the everyday life, that is rooted in Neue Sachlichkeit (new objectivity) aesthetics, is not limited to industrial and commercial topics, the photographic and objective material and people, but also offers a stance on a topical field that has been under-represented in the exhibition landscape: leisure. Galerie Julian Sander therefore gladly dedic…

Five years ago, on April 8, 2011, Julian Sander opened his first exhibition in his gallery in Bonn. Back then, it was going by the name of FEROZ Gallery. "Zwischenbilanz" now looks back on our history of significant exhibitions, featuring artworks by Chargesheimer, William Christenberry, John Cohen, Harold Edgerton, Larry Fink, Sean Hemmerle, Jory Hull, Jiang Jian, Lisette Model and August Sander and many others. It reflects the diverse inventory of the gallery, includin…

FEROZ Galerie is pleased to present the photography exhibition, CONCRETE. The title of this exhibition as a word represents both a mental position to view and think about the works as well as a designation of a physical material. Julian Sander, the owner of FEROZ Galerie uses the anxious spectrum of this word in the broadest sense as a concept for curating this exhibition. The fact is that we live in a world of media, and we are constantly surrounded by contextualized visual informat…